Moderno contemporâneo popular brasileiro


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"In Brazil, the reception of what is usually called outsider art, in the last forty years, is inseparably linked to the figure of Vilma Eid [...] Vilma is not only responsible for an intentional exploration of Brazilian indiginous and self-taught artistic production: she also contributed, in a determining fashion, to a change of perspective in the way this production is seen." Lorenzo Mammì

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